-
方世玉1972
750方世玉,是新崛起江湖的少年英雄,为人行侠仗义,好打抱不平,很受人称道。神腿高力,是江湖上的游侠,为人豪放,到处以武会友,专找徒负虚名的人较量。 深夜,世玉偷偷潜回家中,卻发现父亲已死,母亲受伤,世玉悲愤不已。次日清晨,世玉来到谭与简的武馆,二人不在,世玉大闹武馆后,又到协和茶楼找二人报仇,谭飞脚、简铁拳将世玉带到荒郊决斗。谭与简号称拳脚无双,世玉不是对手,被打成重伤,危急时刻,小翩带领苗翠花和乡邻赶到,谭、简二人悻悻离去。 曹家庄的曹彪将江重威打伤,强行霸占运栈,从中抽取厚利,压榨善良百姓,并广招人手以防报复。他请了四个江湖上独霸一方的高手:蒙古飞斧手王刚、岭南花花太岁章立武、崆峒派的绝刀施一刀和飞燕卫天冲,而卫天冲是一个少林叛徒,轻功江湖第一,有这四人守在曹彪身边,要击垮曹家庄比登天还难。方世玉决定深入虎穴,借助江重威安插在曹家庄的内线,瓦解曹家庄。 方世玉扮做一名小厮,混入曹家庄做打杂的小伙计(此时的背景音乐很有趣,和“唐伯虎点秋香”中周星驰做小伙计时的音乐一样,不知是不是周星驰也喜欢看这部影片),不料在上街办货时,被高力发现,高力随即也混入曹家庄,经过比试,成为曹家庄的武师。 世玉潜入曹家庄,设计将王刚和施一刀除掉,令曹彪心神不安。而高力时刻接近世玉,欲与世玉一决高低,世玉不肯节外生枝。不久,世玉又将对曹家大小姐垂涎三尺的章立武调出曹家庄,将其击毙。高力则再次逼迫世玉决战,否则将说出他的身份,世玉只得应战。 荒山岗上,方世玉与高力打得难分难解,不分胜负,最后双方均无力再战方得罢手,但由此一战,二人却惺惺相惜,英雄识英雄。世玉欲与高力结为朋友,可高力却说“我不会和你这种人做朋友的,还要为你拼命”,气得世玉大骂高力真是一个十足的小人,高力却哈哈大笑说“做小人总比送命好”。 世玉深夜潜入卫天冲练功的密室,要除掉这个少林叛徒,不料曹彪和高力从暗处走出,原来早有防备,曹亲自动手,用双短刃将世玉刺伤,危急之时,忽然曹家庄失火,曹只得先去救火。密室内,世玉已将卫天冲打得渐渐不支,卫请求高力帮忙,而高力只说了一句“我还不到出手的时候”。世玉将卫天冲慢慢逼到火烛阵旁边,此时高力出手了,却一脚将卫天冲踹进了火烛阵,还对垂死的卫说了句“他是方世玉,我们是朋友”。卫无可奈何,只得含恨死去。 次日,曹彪将庄丁和下人集结在一起,要大家脱下上衣,想找出昨晚受伤的人,岂料每个人的身上都有一道伤口,原来是江重威的内线秦管事用药迷倒众人后所为,但也因此身份暴露,秦为保世玉,拔刀自尽。 经过一连串的事,曹彪已对世玉产生怀疑,他将世玉召进大堂,查问世玉的身份,而世玉见曹彪身边的高手尽皆除去,便直承身份,曹彪虽佩服世玉的胆色和心计,但决心除掉这个心腹大患。曹彪的双短刃功夫独到、很难对付,又有庄丁围攻,世玉边打边退,高力见形势危急,借交手之机暗中助世玉脱身,高力夹在世玉和曹彪中间,使曹的几次攻击尽皆落空,引起曹彪的怀疑。就在高力又冲上来欲助世玉时,曹彪反手一刀,插入高力腹中,高力拼死挡住众庄丁,而世玉也与曹彪展开决斗。激战之中,世玉也被曹彪的双短刃制住,高力见势急忙飞起一脚将曹彪踢开,曹返身持刃又向世玉刺来,高力将世玉推到一边,曹的短刃再次插入高力的腹中,而世玉趁机飞身用双腿夹住曹彪脖颈,出鹤手啄瞎曹彪的双眼。 此时江重威也率领徒众攻入曹家庄,将曹彪乱刃砍死,曹家庄被一举瓦解。而高力已伤重身亡,世玉怀着深深的遗憾和悲痛离开曹家庄。 -
奇袭白虎团
357未知抗美援朝战争期间,志愿军某部侦察排长严伟才(宋玉庆 饰)和安平村的崔大娘(栗敏 饰)一家结下深厚友谊。但不久后,崔大娘和部分村民被抓去给美李匪帮修工事,敌人得知崔大娘的儿子参加了人民军,便将她惨忍杀害了。严伟才闻听,怒火中烧,发誓为大娘报仇。正在这时,严伟才接到任务,王团长(方荣翔 饰)要他率领一个尖刀班,在朝鲜联络员的协助下,化装成美李伪军,奇袭李伪首都师“白虎团”,严伟才向团首长表示:请祖国人民放心,请朝鲜人民放心,坚决取得胜利!深夜,严伟才带尖刀班向敌占区行进,他们穿越雷区密布的死亡之谷,拂晓时分,接近至敌阵地前沿...... -
那么远,那么近
702A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival. -
彻彻底底
430波兰百佳之一,根据波兰三十年代画家Jan Malisz及其妻子Maria Malisz真实谋杀案改编,讲述一对受压迫的贫穷夫妻不得不走上犯罪之路的故事。 -
隐私部分
122When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio. The lodgers are odd, Aunt Martha is a moralizer obsessed with funerals, murder is afoot, and the inexperienced and trusting Cheryl may be the next victim. She wants to be treated like a woman, and she's drawn to George, a handsome photographer who longs for human contact but sleeps with a water-inflated doll and spies on Cheryl as she bathes. Jeff, a neighborhood clerk, may be Cheryl's only ally in what she doesn't realize is a perilous residence haunted by family secrets. And, what happened to Alice, a model who used to have Cheryl's room -
迷宫眼
847A young woman (Rosemary Wilcox) is haunted by pop-Freudian dreams of her recently murdered psychologist (and lover), so for some reason she goes to a resort where the psychologist liked to hang out and becomes involved with a gangster (Adolf Celli) and the strange female resort owner (Alida Valli). Soon more murders occur involving the other guests at the resort.